Selfie (Brass)

Selfie explores the historical, cultural, and societal significance of the vanity mirror. It traces how people have used it as a tool for self-awareness, self-expression, and the shaping of self-esteem.

The phenomenon of selfies represents a form of modern self-portraiture. It extends the traditional use of the vanity mirror while linking personal image-making to digital technology. Selfie examines this continuity and its dual impact. It reveals both the possibilities for self-expression and the pressures imposed by society.

Digital tools now amplify the pursuit of unattainable perfection. This pursuit often encourages narcissism and superficiality, while also contributing to concerns around mental health.

The work brings together a selection of carefully chosen vintage vanity mirrors. It arranges them into a ‘cell-like’ structure that forms a unified whole. This organic configuration alludes to body and skin cells and directly connects concept with physical form.

By drawing parallels between the use of hand mirrors and the act of taking selfies, Selfie highlights a persistent pattern. It shows how people continue to construct and present their image across time.