Vanity Star

The term “Interactive” is fundamental for Marsiglia, because in these digital works the direct participation of the public allows the ultimate definition of the work itself. This, in fact, closes the instant of vision of the individual viewer, when, after his presence, activates an interacting process between the real time and the one inside of image.

The artist points out the relevance of the inputs and the programming: “I think as an artist, the works are given and covered in a definitive way, but should depend on the viewer who bringing the work to life in the unrepeatable convergence of his existence and of his time.